2,883 로열티 프리 오디오 트랙들 "Drag Object In Carpet"에 대한

File:Daisy_Bell_sung_by_Edward_M._Favor.ogg, click removal (default settings) and light noise removal (using last 0.5 second as sample, settings 12db/5.0/2 bands) applied in Audacity 3.1.2.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 43 Prelude No. 22 in B-flat minor, BWV 867

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 25 Prelude No. 13 in F-sharp major, BWV 858

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 41 Prelude No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 13 Prelude No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 36 Fugue No. 18 in G-sharp minor, BWV 863

Volte, no. 201 from Terpsichore, Musarum Aoniarum, performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 4 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2][3]

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 42 Fugue No. 21 in B-flat major, BWV 866

Let the Music Send Me performed by Systems Go of the United States Air Force Band of Flight. Track 6 from Holding the Flag (2007).[1]

Johann Sebastian Bach's 1st Partita for Solo Violin, 1st movement: Allemande, recorded in the MAT Listening Room, QMUL, London, UK

La Cumparsita, obra musical cuya línea melódica fue creada por el músico uruguayo Gerardo Matos Rodríguez (1897 - 1948) y es considerado el tango más difundido a nivel mundial.

Wax cylinder recording of music for the "lela" celebration in Bali, Cameroon. Four flutes and singing. The lela celebration is closely linked to the kingdom and members of the royal family direct the course of the celebrations. The flutes in this recording were played by high dignitaries of the Bali kingdom. Recorded by Bernhard Ankermann in Bali, Cameroon, saved in the Berlin Phonogramm-Archiv.

Label: Decca Records Cat. no.: K 1128 Order number: AR 8995 Matrix/StamperID: AR 8995-2 1st release date: June 1945 1st recording date: 2 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Malcolm Sargent (1895-1967) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Symphony No. 5 in C minor, Op. 67 Content: 3rd Movement: Allegro (Conclusion) / 4th Movement: Allegro Genre(s): Symphony Comments: -

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Grand March from La reine de Saba ("The Queen of Sheba", 1862), an opera by French composer Charles Gounod. From the U.S. Marine Band CD From Fife and Drum: Marine Band Recordings 1890-1988.

Prélude en Do dièse mineur de Sergueï Rachmaninov (Morceaux de fantaisie, op. 3) joué par Sergei Rachamninoff lui même

Aria from Iris sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Reverie' song for piano and voice words by Albert G. Dawes; music by Alexander Rea Marked 'Entered at Stationers Hall' (historic Australian censor & patent office)

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 14 Fugue No. 7 in E-flat major, BWV 852

Feodor Chaliapin (Фёдор Иванович Шаляпин)

한국어: 1938년 콜롬비아 레코드 소속 김해송이 부른 스윙 재즈(Swing-Jazz)이다.

Daisy Bell sung by Edward M. Favor (1856-1936). Edison Phonograph Co.: 1058. Recorded on brown wax cylinder. Original cylinder in collection of John Levin. Spoken introduction removed.

Walking on a carpet stairs.

Sunflower Slow Drag is a ragtime composition by Scott Joplin and Scott Hayden, performed as a wind band arrangement of a piano original. Recorded between May 23 and 27, 1994 by the United States Marine Corps Band at the Center for the Arts at George Mason University in Fairfax County, Virginia.

*1 step in 16 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 21/16:1 = 75 cents. MIDI pitch bend: 127,55

1st release date: 1937 1st recording date: 29 November 1936 Place of recording: Abbey Road Studios, EMI Studio No. 1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Luigi Boccherini (1743-1805) Lyricist(s): - Conductor: Landon Ronald (1873-1938) Performer(s): Pau Casals (Cello) (1876-1973) and the London Symphony Orchestra Vocal range: instrumental Title/Work: Cello Concerto in B-flat major, G.482 Content: 3rd Movement (Part 1): Rondo (Allegro) Genre(s): Cello concerto Comments: RCM and ELP

In Gottes Namen fahren wir, Gotteslob (1975) 303; Gotteslob (2013) Freiburg/ Rottenburg-Stuttgart 858

Instrumental version of "Kassaman".

This is considered the first Jazz recording. "This tune was issued on an Edison Blue Amberol wax cylinder in April of 1917 and on an Edison record in July of that year." Jazz band

Symphony no. 4 in b-flat major, op. 60 - iii. allegro vivace

Instrumental version of "Kassaman".

Part 8 (a drum cadence followed by the last strain of "The Stars and Stripes Forever") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 18 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Instrumental version of "Kassaman".

God rest you merry, gentlemen (or "God rest ye merry, gentlemen") is an ancient Christmas carol, believed to date from about the 15th century. Edison Blue Amberol #3346, Edison Diamond Disc matrix #5677

Choro polka "Cruzes, Minha Prima!", composed by Joaquim Antônio da Silva Callado in 1875[1]. Recorded in 1913 by Agenor Bens (Flute) and Arthur Camilo (Piano) Português: Choro polca "Cruzes, Minha Prima!", composta por Joaquim Antônio da Silva Callado. Gravada em 1913 por Agenor Bens (Flauta) e Arthur Camilo (Piano) 1: Choro-Polka: Cruzes, Minha Prima!, komponiert 1875 von Joaquim Calado, Aufnahme 1913 von Agenor Bens (Flöte) und Arthur Camilo (Klavier).

National Anthem of Mexico - Secretariat of the Navy Band 1968Himno Nacional Mexicano - Banda Sinfonica de la Navio 1968

Semper Fidelis March, by John Philip Sousa, performed by the United States Marine Band for Edison Records in June 1909. This is Edison Amberol cylinder number 4M-140 (A- ..7). It is NPS object catalog number: EDIS 35806

1st release date: 1908 1st recording date: 31 December 1907 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: Tango de los negros Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 1st movement.

El Noi de la Mare, a Catalan folk song on guitar. Das katalanische Weihnachtslied "El Noi de la Mare" ("Der Mutter Kind"), auf einer Konzertgitarre vorgetragen. "El Noi de la Mare", villancico catalán del siglo XVI interpretado con guitarra clásica. Македонски: Каталонска божиќна песна El Noi de la Mare („Мајчин син“) во инструментална изведба на класична гитара.

Sonata no. 13 in b flat major, k.333 - ii. andante cantabile

1st release date: 1908 1st recording date: 31 December 1907 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: Pericón nacional (Aire Nacional) Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

When the Saints Go Marching In performed by the Gateway Brass of the United States Air Force Band of the West. Track 10 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

Sergei Rachmaninoff - etudes tableaux, op. 39 - v. apassianato in e flat minor

The "March of the Women Marines" composed by Louis Saverino of the United States Marine Band for the Marine Corps Women's Reserve, played by the U.S. Marine Band for the album Uncommon Valor.

1st release date: 1910 1st recording date: 26 February 1910 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: El Cimarrón - Cifra, 2a parte Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)